Nick Carraway is Queer and in Love with Jay Gatsby

by Mya Nunnally (published 22 Sept 2017 in BookRiot)

As the title subtly suggests, I have a theory about the narrator of F. Scott Fitzgerald’s timeless classic, The Great Gatsby. This theory is one I’m sure some will totally disregard, saying I’m reading too deep into things that aren’t there (which, if I am, I do so not alone, for there is an entire essay written about Fitzgerald’s use of the color yellow). Or perhaps some stuffy old English professor might blanch at the suggestion that one of the most beloved novels of all time has a queer protagonist.

To me, it’s painfully obvious that Nick Carraway is queer. But my gaydar has been finely tuned by years of searching for the gay characters in books and movies and television shows in order to find some semblance of representation. So, for those of us who didn’t see the signs, or who were taught the novel by someone who refused to, I’ll offer evidence. Continue reading “Nick Carraway is Queer and in Love with Jay Gatsby”

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‘Go Set A Watchman’ Is A Revelation On Race, Not A Disappointment

By Errin Whack, published by NPR, 16 July 2015

I don’t remember how old I was when I read To Kill A Mockingbird for the first time. But I do know that I loved it — which is why I was thrilled in February at the news that another manuscript penned by Harper Lee, previously unknown to the larger public, existed and would be published this summer.

For lovers of the original story, the next few months could not pass quickly enough. But that anticipation turned to anxiety last week as reports trickled out that Go Set a Watchman reunites them with an Atticus Finch who is not the idealistic Southern gentleman of their youth, but rather a segregationist once involved with the Ku Klux Klan.

For many, this revelation has been nothing short of a betrayal (as seen in these recent tweets):

Continue reading “‘Go Set A Watchman’ Is A Revelation On Race, Not A Disappointment”

AP Lit Question 3 (open): a NINE

In our world today, the fear of people who do not look, act, or talk like us is crippling. We, as a whole, do not easily accept or assimilate those who have been otherized into our communities. Throughout various works of literature, though, it is evident that characters whose origins are unusual or mysterious are able to fully participate in the societies in which they appear. Toni Morrison’s Beloved presents one such situation. When the spirit of Sethe’s late baby materializes at her doorstep, the lives of Sethe, Denver, Paul D, and Beloved are changed forever. Because of Beloved’s unusual origins, she has trouble formulating a meaningful self-identity, the family is polarized because of her unexpected arrival, and the novel as a whole is able to better communicate the message that humans have a distinct and deep ability to adapt to new environments. Continue reading “AP Lit Question 3 (open): a NINE”